(from poems on the Appalachian Trail)
If there is some divine shadow flung over every worldly thing, that could be a reason for rhyming cirrus with feathers, wind with wings, this mountain with the last and the next whose shadow shortens now, cast west in a morning sun shaded twofold by that raven calling in answer to other uncertainties. No matter what they say, the ravings of a beleaguered mind sweep and scold, weakening my resolve to climb, then darkening without relief or thanks to cloud. So much deeper, and deepening, these slower bass winds of wings: an eagle in the opening, hawks over rock slopes below the relentless bluster and gust of a shallow shrill echo. See: the bird to the wind is ballast, a revenant without mission save to shadow its own appetite, ravenous as mine still winging like this torn map I keep holding up in my hand freely flapping in the wind. Poem by Alice B Fogel
Alice B Fogel served as the New Hampshire poet laureate from 2104 through 2019. Her latest book is Nothing But: a series of indirect considerations on art & consciousness. A Doubtful House is her previous collection, preceded by Interval: Poems Based on Bach’s “Goldberg Variations” which won the Nicholas Schaffner Award for Music in Literature & the 2016 NH Literary Award in Poetry. An earlier book, Be That Empty, was a national poetry bestseller. She is also the author of Strange Terrain, on how to appreciate poetry without necessarily “getting” it—which offers inroads to poetry useful for readers, reading groups, teachers, & writers. Nominated for Best of the Web & a dozen times for the Pushcart, she has been awarded a fellowship from the National Endowment for the Arts, & her poems have appeared in many journals & anthologies, including Best American Poetry, Spillway, Hotel Amerika, The Inflectionist, & The Southern Review. She works one-on-one with students with learning differences at Landmark College, & hikes mountains whenever possible.
Links to book sales:
Nothing But reveals the disruptions—welcome or unsettling—to our stream of consciousness that occur when we encounter the unexplainable. In these poems, such suspensions of linear thought become a beckoning toward transcendence, an opening both deeper into, and out beyond, our perceptions in an otherwise prescribed world.
A marriage houses two wildly distinct entities, each one in turn a form containing its own unruly spirit. Addressing its inhabitants with humor, love, sorrow, anger, confusion, and hope, A Doubtful House explores what happens to boundaries–psychological, emotional, physical, even syntactical–when people live together for a long time.
This series of poems responding to Johann Sebastian Bach’s “Goldberg Variations” pays homage to a 274-year-old masterpiece and, with the theme of spirit and embodiment that music—and life itself—evoke, renders from it a luminous new interpretation. Bach created the Goldbergs’ 32 sections using nearly all the styles of western European music at the time; Fogel responds in kind with a range of contemporary poetic styles, including narrative, lyric, and experimental, all confined within the 32-line structure she has borrowed from the composer’s 32-bar format. Interval mimics the “baroque” effects of overlapping melodies and harmonies by layering sound, syntax, and sense in multiple voices exploring self, identity, and being.
You must be logged in to post a comment.